{"id":47851,"date":"2022-06-07T21:42:46","date_gmt":"2022-06-07T19:42:46","guid":{"rendered":"https:\/\/literaturfestivalberlin.de\/?p=47851"},"modified":"2022-05-25T21:49:16","modified_gmt":"2022-05-25T19:49:16","slug":"worldwide-reading-for-liao-yiwu-on-4th-june-2010","status":"publish","type":"post","link":"https:\/\/literaturfestival.com\/en\/worldwide-reading-for-liao-yiwu-on-4th-june-2010\/","title":{"rendered":"Worldwide Reading for Liao Yiwu on 4th June 2010"},"content":{"rendered":"\n

The international literature festival berlin (ilb) calls for cultural institutions, schools, radio stations and interested parties to participate in a worldwide reading of prose and poems by the Chinese author Liao Yiwu on June 4th 2010. This day is the anniversary of the massacre at Tiananmen Square in Beijing in 1989 during which roughly 2,600 people died, according to the Red Cross.<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

APPEAL<\/h1>\n\n\n\n

The international literature festival berlin (ilb) calls for cultural institutions, schools, radio stations and interested parties to participate in a worldwide reading of prose and poems by the Chinese author Liao Yiwu on June 4th 2010. This day is the anniversary of the massacre at Tiananmen Square in Beijing in 1989 during which roughly 2,600 people died, according to the Red Cross.<\/p>\n\n\n\n

The event itself, from which a democratic movement arose, is not covered in the official Chinese media, and censorship was further increased on the 20th<\/sup> anniversary of the massacre, extending deep into the Web 2.0 internet platforms. The enforced silence inChina – which also covers the period of the Cultural Revolution \u2013 and the extremely high number of executions in the country, as well as the treatment ofTibet, must be even more clearly communicated by the civic institutions in democratic societies.<\/p>\n\n\n\n

For this reason, the following works by Liao Yiwu will be read on June 4th<\/sup>: \u00bbMy Teacher, my Enemy\u00ab; \u00bbThe Public Toilet Manager\u00ab; \u00bbThe Peasant Emperor\u00ab; \u00bbNineteen Days\u00ab; \u00bbMemories of My Flute Teacher\u00ab and, by Wen Huang (the author’s American translator), \u00bbLiao Yiwu \u2013 Lunatic Outcast\u00ab.<\/p>\n\n\n\n

Liao Yiwu is one of the authors whose works are not published in Chinadespite their international success, as the powers-that-be claim that they promote \u00bbthe dissemination of counter-revolutionary propaganda with foreign help\u00ab. Even his name may not be mentioned. From 1990 to 1994 he was imprisoned for his literary and socio-political activities, and was only released early from jail due to international pressure. His interviews with underdogs (Interviews with People from the Bottom Rung of Society<\/em>) and his poetry (including \u00bbMassacre\u00ab and the anthology \u00bbThe Fall of the Holy Temple\u00ab) have been published abroad in recent years by renowned publishing houses and journals like Lettre International<\/em> (German edition) and the New York journal The Paris Review<\/em>.<\/p>\n\n\n\n

Despite owning a travel permit, Liao Yiwu was not allowed to attend either the 2009 Frankfurt Book Fair or the lit.cologne by the Chinese authorities. The ilb and the Harbourfront Festival inHamburghave invited him to both festivals in September 2010. We can only hope that the Chinese authorities grant him the fundamental right to travel abroad, and to return toChina.<\/p>\n\n\n\n

The goal of the worldwide reading is to share Liao Yiwu’s works with a broader readership, to commemorate the massacre of Tiananmen Square, and to urgently admonishChina’s human rights record.<\/p>\n\n\n\n

On the occasion of the the third anniversary of the beginning of the war in Iraq, the international literature festival Berlin and the Peter-Weiss-Stiftung f\u00fcr Kultur und Politik for the first time called for a worldwide reading on March 20th<\/sup> 2006 \u2013 this initial \u00bbAnniversary of the Political Lie\u00ab, with a reading of Eliot Weinberger’s \u00bbWhat I Heard About Iraq\u00ab, was followed by other worldwide readings after the murder of Anna Politkovskaya, during the run-up to the Olympic Games in China, against the leadership of Robert Mugabe in Zimbabwe, in memory of Mahmoud Darwish, and in support of the democratic opposition in Iran. As many as 100 institutions, including radio and television stations, either participated in or reported on the worldwide readings across all continents.<\/p>\n\n\n\n

The texts intended to be read on this worldwide reading are available in English, French, German and Spanish. Institutions and persons who would like to participate in the reading on June 4th<\/sup> are asked to inform us of their wish to be involved. The email address is: worldwidereading@literaturfestival.com<\/a><\/p>\n\n\n\n

SIGNATORIES<\/h1>\n\n\n\n

H\u00e9ctor Abad (Columbia)\u00a0|\u00a0Martin Amanshauser (Austria)\u00a0|\u00a0Yuri Andrukhovych (Ucraine)\u00a0|\u00a0Shauna Singh Baldwin (Canada\/ USA)\u00a0|\u00a0Russell Banks (USA)\u00a0|\u00a0Mohammed Bennis (Marocco) Hans Christoph Buch (Germany)\u00a0|\u00a0Judith Butler (USA)\u00a0|\u00a0Viktor Canosinaj (Albania)\u00a0|\u00a0Daniella Carmi (Israel)\u00a0|\u00a0Giovanni Celati (Italy)\u00a0|\u00a0Vikram Chandra (India)\u00a0|\u00a0Noam Chomsky (USA)\u00a0|\u00a0John M. Coetzee (South Africa)\u00a0|\u00a0Achmat Dangor (South Africa)\u00a0|\u00a0Ariel Dorfman (Chile)\u00a0|\u00a0Ferida Durakovic (Bosnia-Herzegovina)\u00a0|\u00a0Sezer Duru (Turkey)\u00a0|\u00a0P\u00e9ter Esterh\u00e1zy (Ungarn)\u00a0|\u00a0Nuruddin Farah (Somalia)\u00a0|\u00a0Lilian Faschinger (Austria)\u00a0|\u00a0Julia Franck (Germany)\u00a0|\u00a0Wolfram Frommlet\u00a0(Germany)\u00a0|\u00a0William H. Gass (USA)\u00a0|\u00a0Assaf Gavron (Israel)\u00a0|\u00a0Jochen Gerz (Germany)\u00a0|\u00a0Nadine Gordimer (South Africa)\u00a0|\u00a0Georgi Gospodinov (Bulgaria)\u00a0|\u00a0Dieter M. Gr\u00e4f (Germany)\u00a0|\u00a0David Grossman (Israel)\u00a0|\u00a0Ulla Hahn (Germany)\u00a0|\u00a0Chenjerai Hove (Zimbabwe)\u00a0|\u00a0Ha Jin (USA\/ China)\u00a0|\u00a0Stanchina Kanta Tanlukdar (Germany\/ India)\u00a0|\u00a0Ursula Krecher (Germany)\u00a0|\u00a0Norbert Kron (Germany)\u00a0|\u00a0Goretti Kyomuhendo (Uganda)\u00a0|\u00a0Michael Lentz (Germany)\u00a0|\u00a0Chiara Macconi (Italy)\u00a0|\u00a0Jamal Mahjoub (UK)\u00a0|\u00a0Cosmin Manolache (Romania)\u00a0|\u00a0Javier Mari\u00e1s (Spain)\u00a0|\u00a0\u00c9mile Martel (Kanada)\u00a0|\u00a0Manfred Maurenbrecher (Germany)\u00a0|\u00a0Robert Menasse (Germany)\u00a0|\u00a0Amanda Michalopoulou (Greece)\u00a0|\u00a0P\u00e9ter N\u00e1das (Hungary)\u00a0|\u00a0Desiderio Navarro (Cuba)\u00a0|\u00a0Christiane Neudecker (Germany)\u00a0|\u00a0Nuala Ni Dhomhnaill (Ireland)\u00a0|\u00a0Thorsten Palzhoff\u00a0(Germany)\u00a0|\u00a0Kornelijus Platelis (Lithuania)\u00a0|\u00a0Francine Prose (USA)\u00a0|\u00a0Holly-Jane Rahlens (Germany)\u00a0|\u00a0Mani Rao (India)\u00a0|\u00a0Moritz Rinke (Germany)\u00a0|\u00a0Patrick Roth (Germany)\u00a0|\u00a0Alberto R\u00fay-Sanchez (Mexico)\u00a0|\u00a0Almantas Samalavicius (Lithuania)\u00a0|\u00a0Sapphire (USA)\u00a0|\u00a0Alka Saraogi (India)\u00a0|\u00a0Lorenz Schr\u00f6ter (Germany)\u00a0|\u00a0Lutz Seiler (Germany)\u00a0|\u00a0Jorge Sempr\u00fan (Spain)\u00a0|\u00a0Eduardo Sguiglia (Argentina)\u00a0|\u00a0Nicholas Shakespeare (UK)\u00a0|\u00a0Tzveta Sofronieva (Bulgary\/ Germany)\u00a0|\u00a0Wolfgang Sofsky (Germany)\u00a0|\u00a0Rebecca Solnit (USA)\u00a0|\u00a0Peter Stamm (Switzerland)\u00a0|\u00a0Ilija Trojanow (Germany\/ Bulgaria)\u00a0|\u00a0Jane Urquhart (Canada)\u00a0|\u00a0Mario Vargas Llosa (Peru)\u00a0|\u00a0Abdourahman A. Waberi (Dschibuti\/ France)\u00a0|\u00a0Richard Wagner (Germany)\u00a0|\u00a0C\u00e9cile Wajsbrot (France)\u00a0|\u00a0Michael Warschawski (France)\u00a0|\u00a0Ruben Wickenh\u00e4user (Germany)\u00a0|\u00a0Herbert Wiesner (Germany)\u00a0|\u00a0Stefan Ludmilla Wieszner (Germany)<\/p>\n\n\n\n

<\/p>\n\n\n\n

TEXTS<\/h1>\n\n\n\n
Liu Xiaobo: Gedicht (Chinesisch)<\/a>
Liu Xiaobo: Poem (German)<\/a>
Liu Xiaobo: Poem (English)<\/a>
Liu Xiaobo: Poem (Africaans)<\/a>\u00a0
Liu Xiaobo: Poem (Arabic)<\/a>
Liu Xiaobo: Poem (Bosnian)<\/a>
Liu Xiaobo: Poem (Dutch)<\/a>
Liu Xiaobo: Poem (Finnish)<\/a>
Liu Xiaobo: Poem (French)<\/a>\u00a0 \u00a0 \u00a0
Liu Xiaobo: Poem (Hebrew)<\/a>
Liu Xiaobo: Poem (Kurdish)<\/a><\/th>		Liu Xiaobo: Poem (Komi-Permyak)<\/a>\u00a0 \u00a0 \u00a0\u00a0
Liu Xiaobo: Poem (Macedonian)<\/a>
Liu Xiaobo: Poem (Polish)<\/a>
Liu Xiaobo: Poem (Portuguese)<\/a>
Liu Xiaobo: Poem (Rumanian)<\/a>
Liu Xiaobo: Poem (Russian)<\/a>
Liu Xiaobo: Poem (Slovenian)<\/a>
Liu Xiaobo: Poem (Spanish)<\/a>
Liu Xiaobo: Poem (Swedish)<\/a>
Liu Xiaobo: Poem (Welsh)<\/a>\u00a0
<\/th><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

PARTICIPANTS<\/h1>\n\n\n\n

Babenhausen (Caf\u00e9 Fahrenschon) | Bad Ischl (Freies Radio Salzkammergut) | Berlin (internationales literaturfestival berlin, Caf\u00e9 Brel) | Berlin (Berlin International School) | Berlin (Gottfried-Keller-Gymnasium) | Berlin (Haus der Demokratie und Menschenrechte) | Berlin (Privater Literaturkreis) | Berlin (Open-Air Alexanderplatz) | Bremen (Internationales Literaturfestival Bremen) | Erfurt (K\u00fcnstler- und Atelierhaus) |Frankfurt\/Main (Internationales Lesefest am Main \/ Zuflucht: Literatur!, Literaturhaus) | Freiburg (Theater Freiburg) | Glasgow (Glasgow University \/ PEN) | Hamburg (Harbour Front Literaturfestival \/ Literaturhaus Hamburg \/ Hamburger Abendblatt \/ Macht e. V. \/ Thalia Theater \/ Kampnagel \/ Initiative “Komm in die G\u00e4nge\u201c) | Hannover (Staatstheater Hannover) | Hong Kong (June 4th Annual Memorial \/ Candlelight Vigil) | Ibadan (The Rendezvous) | Istanbul (A\u00e7ikradyo 94.9 (Open Radio 94.9)) | K\u00f6ln (B\u00f6ll Haus) | Kuala Lumpur (Campus of the University of Tunku Abdul Rahman) | Lagos (Lagos State University (LASU)) | L\u00fcbeck (Offener Kanal L\u00fcbeck \/ Amnesty International) | Paris (Annual commemoration of June 4) | Paris (Centre d’accueil de la presse \u00e9trang\u00e8re (CAPE)) | Prag (Deutsch-Tschechischer Zukunftsfond) | Schaan (Liechtensteiner Literaturtage) | Warwick (PoetsWest) | Z\u00fcrich (Theater am Neumarkt)<\/p>\n\n\n\n

Liao Yiwus Aufnahme seiner Gedichte Massaker <\/em>und Elegie 89 <\/em>wurde vor 150.000 Teilnehmern abgespielt.<\/p>\n\n\n\n

DOKUMENTATION<\/h2>\n\n\n\n

Please find reports from the readings here<\/a>.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

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