Yang Lian  [ China ]


Lian Yang Portrait
© Hartwig Klappert

Guest 2001, 2007, 2014.


Li Hun
Dangdai Zhongguo qingnian shiren congshu
Xi’an, 1985

Huang Hun
Shanghai Wenyi Press
Shanghai, 1986

Innsbruck, 1987
[Ü: Angelika Bahrke ]
[Ill: Gan Shaocheng ]

Ren min wen xue chu ban she
Bei jing, 1989

Ren de Zijue
Sichuan Renmin Press
Sichuan, 1989

In Symmetry with Death
Australian National University Press
Canberra, 1989
[Ü: John Minford]

The dead in exile
Kingston, 1990
[Ü: Mabel Lee]

Taiyang Yu Ren
Hunan Wenyi Press
Hunan, 1991

Zürich, 1993
[Ü: Albrecht Conze und Huang Yi ]

Non-Person Singular
London, 1994
[Ü: Brian Holton ]

Masken und Krokodile
Berlin, 1994

Zürich, 1995
[Ü: Mark Renné ]

China Daily
[mit Alexander Englert]
Schwarzkopf & Schwarzkopf
Berlin, 1995

Der Ruhepunkt des Meeres
Edition Solitude
Stuttgart, 1996
[Ü: Wolfgang Kubin]

Yang Lian Zuo Pin 1982 – 1997
Shanghai Wenyi Press
Shanghai, 1998

Yue Shi De Qi Ge Ban Ye
Unita Books
Taipei, 2001

Notes of a blissful ghost 
Chinese University of Hong Kong 
Hong Kong, 2002
[Ü: Brian Holton ]

Green Integer
Los Angeles, 2002

Yang Lian Xin Zuo 1998 –2002
Shanghai Wenyi Press
Shanghai, 2003

Concentric Circles
Tarset, 2005
[Ü: Brian Holton und Agnes Hung-Chong Chan]

Unreal City
Auckland University Press
Auckland, 2006
[Ü: Hilary Chung und Jacob Edmond]

Übersetzer: Angelika Bahrke, Hilary Chung, Albrecht Conze,  Jacob Edmond, Brian Holton, Agnes Hung-Chong Chan, Wolfgang Kubin, Mabel Lee, John Minford, Mark Renné, Huang Yi

A child of Chinese diplomats, Yang Lian was born in the Swiss capital Bern in 1955. He grew up in Beijing and in 1974 was sent to the countryside, like all Chinese youths of his generation, for »re-education by peasants«. In 1977 he began working as an editor and programmer for the state broadcaster.

During the »Beijing Spring« (1978–1980) he published his first »modernistic« poetry in the underground literary journal »Jintian«. From 1978 to 1983 he travelled at length, searching out traces of his country’s history. This gave rise to major poetic works, including the long-form poem »Nuorilang«, which was sharply criticised in an »Anti-Spiritual Pollution Campaign« in 1983. Between 1985 and 1989 Yang Lian worked on his most extensive cycle of poems, »Yi«, which encompassed over 200 pages and whose internal structure alluded to the »Book of Changes« (»I Ching«, c. 2800 BC). After his first trip to Europe in 1986 he took an invitation to travel to Australia and New Zealand. Yang Lian was abroad when he received reports of the Tiananmen Square massacre in June 1989. Translator Wolfgang Kubin describes the resulting changes in the poet’s work: »The original pathos~...~starts to trail off, the long form~...~is replaced by the short form, the references to China recede in two respects: the Chinese world is no longer the immediate subject of his writings, and allusions to Chinese intellectual history give way to encounters with Western literature and philosophy«. What remains, however, are decisive motifs, particularly the constant references to mortality and death – however assertions such as that posited by Mark Renné, who claims that these can be attributed to the early death of his mother and Yang Lian’s experiences as a pallbearer, scarcely explain the almost obsessive way the poet weaves the recollection of mortality into his texts. Eschewing melancholy he instead constantly finds new ways to shock, unexpectedly jolting readers out of the trance of everyday life, confronting them with the death and decrepitude of the body.

The exile which has marked Yang Lian’s life for more than 25 years has since »turned into world citizenship« (»Frankfurter Rundschau«). Stipends have allowed him to work at Schloss Solitude near Stuttgart in the 1990s, in Berlin as part of the DAAD’s Artists-in-Residence programme in 1991 as well as the Wissenschaftskolleg in 2012/2013. Among the numerous award his works have attracted are the Nonino Prize (2012), the Chinese Tianduo Award for Long Poems (2013) and The International Capri Prize (2014). Yang Lian has organised London poetry events since 2005 as head of the artists’ group Unique Mother Tongue. His last German publication was the poem »Concentric Circles« (2013). Lian lives in London and Berlin.


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